Japanese violinist Noyuri Hazama, baroque cellist and violist da gamba musician Eva Lymenstull, and keyboardist Shin Hwang explore the singable works of Shubert and Beethoven centered around the composer’s inspiration from the Lied (Germanic songs).

The history of feminist performance is one of radical storytelling, of showing how the personal is political and of carving out spaces in which women can feel, in the words of Holly Hughes, “at last, fully human.”

Directed by Jumay Chu and Byron Suber, the Locally Grown Dance (LGD) will perform with live music featuring Powerdove, with senior vocalist Annie Lewandowski, senior lecturer is the Cornell Music Department.

From Here marries traditionally masculine silhouettes and feminine styles in an attempt to disavow the ill-conceived notions of the “feminist” wardrobe. This exhibition blurs the line that segregates “feminine” and “masculine” clothing in an attempt to redefine what it means to dress like a feminist.

Creating an experimental fashion collection, Olivia Haynie merges natural and synthetic materials and explores their relationship in the form of wearable pieces.

Jaret Vadera will discuss key arcs, propositions, and questions guiding his practice. Vadera’s practice is influenced by cognitive science, post/decolonial theory, science fiction, Buddhist philosophy, and the study of impossible objects.

ICE and Cornell composers will work to toy with different notions of sound production and the volatile relationship between performativity, theater, and sound.

Celebrating the completion of Dilmun Hill’s new storage barn by making a set of furniture and shelving units for use during CSA pickups and events held by the student-run organic farm.

PULSE is Yamatai’s annual concert that features the Japanese art of taiko drumming.

Aural, visual, and interactive anthropological and literary project featuring original ethnographic poetry and creative prose, presented and performed in a chapbook, visual display, and reading event.

The Momenta Quartet and master Javanese musician Darsono Hadiraharjo join forces with the Gamelan Ensemble, directed by Christopher Miller.

New work from Sophia Starling MFA’19, The Unforgiving Mould, questions perception through the use of weight, scale and materiality in the search of the uncanny or unspecified.

A kinetic sound installation that seduces and puts physical forces in action with a captivating elegance. The sounds are produced when certain motor-driven flexible “tentacles” come in contact with fixed metallic pins, striking different tones in an emergent, errand manner.

We invite the audience to take a few minutes to wear a pulse sensor and interact with a music controller that produces nature sounds, which were collected from various disappearing sources.

A solo exhibition focusing in sculpture and photography, exploring the physicality of things and the socio-cultural memory inherent in materials and shapes. The exhibition is an investigation of the relationship between architecture and nature.