The 2016 biennial, titled Abject/Object Empathies, includes 12 new projects, developed over 12 months by artists working in a variety of ways that suggest how the objects, buildings, interfaces, and images we construct are shaped by the intentional or implicit emotional, interdependent relationship to others.  Learn more >

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What if meaning is made not only in the initial encounter with a work of art, but in the laborious hours of production and deconstruction? Join us for facilitated conversations about the “work stories” artists tell, and how these might shift when the supply chain is included in those narratives.

Join facilitators Emilio Martinez Poppe, Susan Jahoda and Caroline Woolard of BFAMFAPhD.

This event is part of the 2016 CCA Biennial: Abject/Object Empathies.

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PEPÓN OSORIO
THURSDAY, SEPTEMBER 15, 5:15PM 

Best known for his large-scale installations, Pepón Osorio merges conceptual art and community dynamics. Osorio’s work emphasizes the exhibition space as an intermediary between the social architecture of communities and the mainstream art world.

Milstein Hall, Abby and Howard Milstein Auditorium

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SPRING 2017

The earthwork installation, Ah-Theuh-Nyeh-Hah: The Planting Moon, created by the artist Associate Professor Jolene Rickard (Tuscarora) is a site-specific artwork, performance, and the model of an embodied Indigenous research methodology that are contextualized and can be accessed through the smart phone media application. The installation is based on the Haudenosaunee agricultural and cosmological knowledge. 

Oct 29
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Mar 01