Why DURATION?
Duration lies at the core of conceptual, architectural, and media art, whether through the experience of the ephemeral media of installation, performance, screen, sound, and time-based art or through the representation of the passage of time via creation, migration, memory, and motion.

The 2018 Cornell Biennial will feature artistic environments that provoke University-wide conversation about the persistence of passage, from environments to communities, while emphasizing the challenge of survival in hostile socio-ecological climates.

Meet the Artists

The aim is to stage artistic environments that provoke University-wide conversation about the persistence of passage, from environments to communities, while emphasizing the challenge of survival in hostile socio-ecological climates.

Duration lies at the core of conceptual, architectural, and media art, whether through the experience of the ephemeral media of installation, performance, screen, sound, and time-based art or through the representation of the passage of time via creation, migration, memory, and motion. The idea of duration thus foregrounds the artistic horizons of both temporality and corporeity, indicating the persistence and continued presence of the material world through which the historical and virtual are experienced in their potentiality.

Duration can be “short” in its transience, ephemerality, volatility, and perishability. And it can be “long” in its durability, endurance, steadfastness, longevity, and survival. Biennial projects ponder institutional and racial violence, the temporality of indigenous culture, the “long durée” of gradual historical alterations, trans gender and sexualities, slowness of painting and reading, contemplations of the built environment, “deep time” of ecology and volatile encroachments of global warming, passage of sound, and historical imperatives of persistence and survival under threatening cultural conditions.

Invited Artists
The Character of Characters
Narratives of Memory: A Conversation with Time
A Meditation on Tongues
Crystalline Basement
Painting Relief
Every other year, we celebrate challenging works of contemporary art.


Biennial

Duration: Passage, Persistence, Survival



Biennial

Abject/Object Empathies



Biennial

Intimate Cosmologies: The Aesthetics of Scale in an Age of Nanotechnology

Narratives of Memory
Capitoline Wolves
A Needle Woman

2018 Cornell Biennial

Curator/CCA Director Timothy Murray | Program Coordinator Erin Emerson

Curatorial Committee Tao DuFour (Architecture) | Renate Ferro (Art) | Kathy Gleason (Landscape Architecture) |
Denise Green
 (Fiber Science & Apparel Design) | Salah Hassan (History of Art/Africana Studies/ICM) |
Soo Yon Lee (Graduate Student Respresentative) | Karen Pinkus (Romance Studies/Comparative Literature) |
Steve Pond (Music) | Amy Villarejo (Performing & Media Arts) | Ellen Avril (Herbert F. Johnson Museum of Art)

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