Tony was selling candy and gum in eighth grade when strangers approached him and gave him a bag of rolled “joints” to sell. From there he became a major dealer.
The CCA will host a series of lunchtime roundtables with its curatorial team of faculty in the arts to facilitate a conversation of duration and contemporary art. The CCA Lunchtime Roundtables will invite an interdisciplinary group of faculty and students to informally present their own work and research with the goal of shedding light on specific areas of scholarship on campus and in the world related to ideas of empathy. Our hope is that these discussions will ignite ideas and inspire new partnerships between faculty and students across the disciplines of art, design, performance, science, and engineering that lead to project proposals for CCA’s Biennial platform.
Mr. Burns, a post-electric play, begins with eight friends gathered around a fire. As they slowly piece together the story, it is revealed that they are escaping from the nuclear fallout of an unnamed apocalyptic event.
Film is a migratory medium that has traveled across the globe ever since the Lumière Brothers first brought the world to the world in their films from 1895. More than a century later Shifting Frames: Migration and the Movies in India shows audiences and owners of Indian cinema halls are also migratory.